The biggest formatting change with Cooper’s talk show is the decision to move to a “live-to-tape” format. This means that the show will air fully live in some markets (such as Philadelphia) and still air the same day in others (such as Los Angeles).
This is a big move for the show and one that Noonan feels “really plays to Anderson’s strengths.” Says Noonan: “Anderson is so good live and is so good at talking about what is current and topical, we see this as an opportunity to become the watercooler for daytime television.”
Being live also means that the show can engage with the audience on Facebook and Twitter before, during and after the show.
“The hard part last year,” Noonan says, “was that because it wasn’t live, it was hard to stop and start social media efforts because you didn’t know when the episode would air.” An episode with a major recording artist, for instance, could be greatly promoted across social, but it’s difficult to do that if the show isn’t going to air for two or three weeks.
Cooper will host each show with a co-host each day and Noonan says that the first twenty minutes of the show will be about current events. This will allow for more real-time engagement with the audience.
Noonan notes that the show is already reaching out to users via the web, Twitter and Facebook for feedback on future show topics. What makes the new live format even better is that responses from users on Twitter or Facebook can then be incorporated into the show as it airs.
Moreover, once the show does start airing, users can talk back to the show using the #AndersonLive hash tag. The producers will monitor the feedback from Twitter, Facebook and Tumblr and incorporate it within the show.
With any luck, the goal is to make what social elements appear for users different for each time zone. That means that users in LA might see more timely or relevant user responses on-screen for their local time, rather than whatever was plugged in when was broadcasting from New York City.
Working out social integration across timelines is a challenge, Mohler tells us, but it’s something the producers are looking forward to tackling.