【H·L】执行制片人的BLOG：解剖剧集制作~

As soon as the concept meeting is over, the incoming director and I are loaded into a van to look at possible locations. I am from Los Angeles, but I have come to know Toronto better than many locals, as I have scouted every part of the city. The director needs to see locations and choose what works best for the action in his script. By the end of the first day a lot has been accomplished.
Over the next few days, the director and I will meet with each department to discuss sets, stunts, props, wardrobe, food styling, visual effects and, importantly, schedule. By day two, the assistant director will have a schedule that lays out all the scenes in the episode. It is a complex task, but it becomes the plan of how to shoot the episode. There can be all sorts of challenges in scheduling. A certain guest-starring actor may have availability issues. Even predictions for weather are factored into the schedule. When will the new sets be ready? Are the prosthetics so complicated that they can’t be ready until the end of the shooting schedule? Once the director approves the schedule, it goes wide and everyone in every department knows when things must be camera-ready.
Directors take on a lot of responsibility in television. We have very highly regarded directors on Hannibal, and I try to provide them with the tools they need to be successful. The prep days are packed with meetings, location visits, walking sets and much more, but I always try to provide them with time alone with the script to shot list and prepare for shooting. Most of our directors do multiple episodes, and they really understand the show and what Bryan wants to achieve.
One the last day of prep, the director and I meet with Bryan Fuller for several hours to tone the script. This is where Bryan goes over each scene to discuss character and nuance. These are wonderful and creative sessions. The director is now officially ready to shoot.
I always love the first day of shooting on a new episode. In seven days, the script has transformed from the written word into a bustling and vibrant production. Every person on the crew of Hannibal has been a part of making the episode a success. The next day, the process starts again.

让lz慢慢的翻译一下。。。
这是NBC Hannibal官网上的博客~讲述每集hannibal的制作过程！超棒的！

LZ翻译好了！！！！！
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此博文来自Carol Trussell，Hannibal的执行制片人。
Hannibal是一部非常美好的剧。每8天我们就要做出一集特色与高质并存的剧集。没有这些天才的导演们以及超棒的团队我们是不可能完成这个挑战的。
虽然每集的真正拍摄期有8天，但我们的准备期其实也只有7天（lz：所以就是15天出一集的速度~果然慢工出细活啊啊啊）。第一天的时候Bryan Fuller会带着导演和个部门的老大开一次关于新一集Hannibal的概念会议。Bryan的剧本总是充满了细节并且新一集里总是会有令人惊喜的新场景。
我们都围坐在大会议桌旁来讨论想法。伟大的电视剧们总是诞生在这种会议中。个部门的老大都爱新东西并且总是会被各种挑战启发。这种会议的目标就是定一个为期7天的流程。会议结束的那一秒起，各部门就开始进入超负荷运转了——各种计划开始实施，各种假体开始被塑模，特殊道具开始进行设计制作，特技演员开始筹划打斗动作的顺序，就连Will的狗狗都开始训练了。
而我跟各位导演们则是在会议结束后开始开车查看各处可以用上的拍摄地点。我是洛杉矶人，但是我对多伦多的了解比许多本地人还好，这就是因为我已经巡查过这座城的所有角落了。导演需要看到所有的地点然后选择能最棒的展现出剧本中情节的。第一天结束时很多事情都已经被完成了。
接下来的几天内，我跟导演会跟各部门探讨布景，特技，道具，戏服，食物式样（LZ：只有Hannibal一部剧会把食物式样提到重要日程中吧~教拔叔做菜不知道算不算啊~~~），视觉特效以及最主要的时间计划表。准备期的第2天副导演会拿到一份列出本集所有场景的时间计划表。这份计划表非常繁杂，但它指引了后面的拍摄工作。订立计划表的时候会遇到各种困难——要考虑到一个已经确定了的友情客串演员会不会突然不能来了，要考虑天气的问题，要考虑布景什么时候能搭好，要考虑假体会不会因为太复杂而做不出来。。。只要导演敲定了计划表，它就会被发到各个部门，然后部门中的每一个人就都会知道自己负责的部分在什么时候必须完成并能被用进拍摄中。
导演们为电视剧负责。Hannibal拥有许多好导演。我尽自己所能的为他们提供一切他们需要的东西。准备期充满了各种会议，找拍摄地，看布景之类的琐事，但我总会尽量提供他们研究剧本，准备拍摄的时间。有许多导演都是拍好几集Hannibal的（一部美剧经常会有不止一位导演来拍，一般都是一个导演负责几集这样的），他们非常理解这部剧并且清楚Bryan想要达到一种什么样的效果。
准备期的最后一天，我跟导演会去与Bryan Fuller 进行长达数小时的会面来润色剧本。Bryan这时候会顺一遍各个场景并与我们讨论角色和一些细微差别。这是一个美好又充满创造性的时刻。导演这时候就完全准备好拍摄了！
我喜欢每次拍摄新一集Hannibal的第一天，接下来的7天中，一份剧本会从文字变为繁华而富有生气的成品。Hannibal团队中的每一个人都是这最终成功的一份子。
接下来的新一天，新的过程就又开始了。

字好多
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渣六级吐了~

你真是超有毅力
看懂是一回事
翻译又是一回事
这个部落格我一直都有在关注.不太常更新
约一个月1～2次.
但消息都不赖.
你可以慢慢的持续更新不急

卤煮辛苦了〜

一会再看，谢lz

楼主辛苦

lz翻译辛苦~~~~~~~
这个幕后很有趣捏~顶起来~

于是乎楼主又杀回来了！这次带来了新更新的Bryan Fuller的博客！

嘤嘤嘤。。。本周的好难翻。。。果然编剧写的东西就是比制片人要难好多啊啊啊。。。刚刚决定从下次的blog开始我以后就不再单独放英文版了。。。改为中英对照好了。。。大家来挑挑错呗~
当然啦。。。要等楼主活着翻完这次的。。。orz好难。。。第一句就不懂。。。没事写blog写那么长的长难句干嘛啦！楼主英文学的最不好的就是语法啊啊啊啊啊。。。

LZ活着回来了。。。好累，感觉不会再爱了。。。
果然编剧就是比较喜欢引经据典+炫英语？简直就像是翻译SAT阅读啊。。。