――So like one of you would just be annoyed with the other about something?
Kanako: Yeah, kinda (laughs). But, then we just automatically make up.
Shoma: Yeah, pretty naturally.
――So, has there ever been a time when you guys let a fight drag out to the point where you don’t talk to each other?
Kanako: There has (laughs). They can get pretty long.
――For like a week?
Kanako: Longer! But, then I would try to talk to him.
Shoma: Yeaaaaah lolol.
Kanako: And then he would run away! (laughs)
Shoma: I just can’t suddenly do a 180.
Kanako: But, I try so many times and so hard to try to talk to you (laughs).
Shoma: Yeaaah, I dunno (laughs).
Kanako: Ahahaha.
――You two are likely to finally compete in the senior ranks together next season. As one of the people closest to him, what do you think about Shoma’s rapid growth from his triple axel, to his quad, to fixing his lutz?
Kanako: To put it simply, he’s incredible. He’s been working hard even before the season started. The quick improvements he made to his jumps and the success he has had with them in competition—I’m constantly reminded by what a hardworker he is. When you watch him during practice, there’s no one like him with that kind of determination.
Shoma: No, that’s you.
Kanako: No way, no way (laughs). Everyone says you’re such a hardworker, and no matter how far or long you search, you definitely will not find someone as hardworking as you.
Shoma: *embarrassed* Thank you. But, it’s not so much that I’m a hardworker but the environment that motivates you to keep pushing yourself. Being called a hardworker makes it sound like it’s all on me, doing it all on my own.
Kanako: Ehh? *surprised* It’s not?
Shoma: It’s not so much that I’m a hardworker. I can keep working hard and doing my best because of all the support I have around me.
Kanako: *nods nods*
――It was a difficult and stressful time for Kanako last season as she worked towards the Olympics. How was she like to you, Shoma?
Shoma: Ah, well. The journey leading up to an Olympic Team Selection Nationals really are something else. It was like we weren’t even heading into the same competition. When I watched Kana-chan, it gave me a sense of what it was like to be a senior skater. The lead-up to Nationals was such an intense time.
――Kanako was facing a different type of pressure at this season’s Nationals. How did it seem like for you?
Shoma: She made mistakes in her short program, but to be honest, she was the most senior-looking lady competing. I want her to do well at Worlds.
――I’d like to hear what you think of each other’s skating.
Kanako: He has so many great qualities, but I think right now his jumps are the most impressive. Once he gets them down, he puts them into his programs right away. He does them as if he’s always been able to do them. His movements and passionate step sequences are reminiscent of Dai-chan, and his spins are so fast and beautiful. There are so many things I admire about his skating.
Shoma: I pay attention to Kana-chan’s expression every day. Like, how she is able to raise her arms in the air so perfectly. I pay attention to her skating and wonder how she is able to achieve such perfect expressions.
――The years have really made you more sensitive in your performances, hasn’t it, Kanako.
Kanako: It makes me happy that Machiko-sensei has been telling me how mature and softer I’ve gotten lately (smiles). I’m glad it’s showing in my skating.
――What do you think, Shoma?
Shoma: We’ve always been together, so I don’t really know, ,but I think your performances have become more mature compared to the past. If I have to say so myself (laughs).
Kanako: Thank you (laughs).

――You started working with contemporary dancer Hirayama Motoko-sensei every since you moved up to seniors. It looks to have polished up your expression.
Kanako: Yes, it has. Hirayama-sensei says there is a dance in everything, there is a story in every tiny movement. For even a small movement like raising my arms up as Mihoko-sensei’s choreography calls, I attach a story to that movement as per Hirayama-sensei’s teaching. For example, I reach up towards the sky as if there’s a bird up there I want to reach and touch. I feel my expression has really changed since I started working with Hirayama-sensei.
――Both of you have the ability to convey so much emotion in the smallest of movements. The two of you have that completeness factor in your programs.
Kanako: I think that has to do with the programs Mihoko-sensei creates for us. She’s an incredible dancer, and she has so many ideas for choreography. I think Shoma and I both take in a lot from her.
Shoma: I agree. In addition, I’m where I am here today because I have so many talented senpai beside me to learn from.
――Her music selections and ideas for choreography are really wonderful. I guess you could say she’s the Japanese Lori Nichol.
Kanako: She really is! She draws out a lot from you. We’ve worked with here since we were little, and we are where we are today because of all the perfect music and choreography she has done for us throughout the years.
――What is your method of perfecting your programs?
Kanako: We keep on doing full run-throughs. Shoma, especially, does sooooo many run-throughs.
Shoma: Yeah.
――As you work to become the world’s top skaters, do you find it difficult to balance out the technical and artistic requirements?
Kanako: It is, but there’s nothing to do but work on it. You need both of them to compete at the top so you just have to keep working on both.
Shoma: I don’t think I’ve struck the right balance between the two yet. My expression and artistry are behind my jumps. I’ve made improvements on my jumps, but I still haven’t done so with my artistry. I guess I would say I’m still a junior in that regards.
Kanako: For me, I’m practice and studied dance a lot so I think I have the artistry down, but my jumps aren’t with me at the moment. I have to work on that or I can’t compete with the top. Having both really is difficult…
Shoma: Yeah. When I miss a jump, I can’t stop thinking about making sure I get the next one. I have to work on not letting the artistry slip.
――What is it like working with Coach Yamada Machiko? How does she teach?
Shoma: Jump! Jump! And then jump again! Something like that.
Kanako: Ahaha.

――If you could put a percentage to time spent on jumps, what would it be?
Shoma: 98% lolol.
Kanako: I do work on jumps, but she also works to improve my programs whenever she notices something that needs work. She also switches with Mihoko-sensei, so it’s about 80% for me.
――When the two of you are competing, do you keep up with each others’ the results? Are you nervous for the other person?
Kanako: Shoma is still a junior so we don’t get to go to competitions together much, but I do get curious about his results at competition.
Shoma: I don’t really watch other people’s programs, but I do try and watch Kana-chan’s.

――Shoma’s lack of nerves is quite well-known, Kanako, what do you think about that?
Kanako: I think it’s because he has confidence in his training. He trains and practices like it’s a competition. Everyone gets so impressed by Shoma’s performances at competition, but it is exactly how he does it in practice. In my case, I get nervous at competitions despite being able to perform them in practice. My grandpa taught me a magic trick that i do before my skate. I’m keeping it a secret though (laughs).
Shoma: I don’t have any superstitions. If I can do it, I’ll do it. If I can’t, I can’t. I guess my secret is that even if I mess up, I’ll just focus on doing the rest like I do in practice. In the past, I’d get nervous and wouldn’t be able to perform what I practice. But, that changed somehow along the way. Ah, but wait, I do get nervous and anxious at small local or prefectural competitions, surprisingly. I wonder why.
Kanako: Me too! It’s like I save it for the major competitions. But, I know what you mean about getting nervous for prefectural competitions.
Shoma: Yeah.
――The two of you still have a major competition left for this season. Please let us know your feelings heading into the World Championships and the World Junior Championships.
Shoma: I want to give my best performances—performances that will make me satisfied. If I can do that, I’ll be happy with whatever placement I end up being.
Kanako: I want to push away the disappointment and frustration of Nationals to give my best in everything at Worlds!

菜籽15-16赛季希望挑战一些日本特色的东西，SP和LP都将会使用电影原声。具体选曲未公布。
同时，菜籽和豆丁签约Universal Sports Marketing (USM)。这也是荒川静香和高桥大辅的经纪公司。

楼主，我看了你剪切的关于他们两个的视频，感觉你知道好多，有没有微博可以关注一下呢？我也很喜欢他们两只！

楼主，我看了你剪切的关于他们两个的视频，感觉你知道好多，有没有微博可以关注一下呢？我也很喜欢他们两只！

菜籽15-16赛季SP披露：El Tango de Roxanne (红磨坊电影原声)

2015年8月8号菜籽会再上志村动物园！这是菜籽第六次上这节目啦！
天才!志村どうぶつ园【旅を终えたDAIGOといずもに新展开!▽日本犬川へ】
2015年8月8日（土） 19时00分～19时56分 の放送内容
旅を终えたDAIGOといずもに新展开!日本犬6匹は大好きな川で鱼とり!相叶くん&村上佳菜子ちゃんが超巨大システムで动物たちを喜ばせる!石ちゃんVSそっくり犬!
http://tv.yahoo.co.jp/program/6128836/

全日合宿，菜籽以微热为由缺席。
フィギュア軽井沢合宿 环境はビミョー！？
东スポWeb 7月29日(水)16时10分配信

报道阵に対応する小冢
　軽井沢合宿の効果は…。フィギュアスケートの全日本シニア强化合宿（长野・軽井沢町）が２８日に公开され、小冢崇彦（２６＝トヨタ自动车）、宫原知子（１７＝大阪・関大高）らが取材に応じた。
　个人竞技のフィギュアだが、今回の合宿の目的はチーム力の强化。日本スケート连盟の小林芳子フィギュア强化部长（５９）は「五轮では男女とも表彰台を狙える选手を３人揃えたい。そうすることで、日の丸の重圧を一人ではなく、３人で背负えれば」とその狙いを说明した。軽井沢を选んだのも、より合宿ムードを高めるため。昨年までの中京大では日常的に使用している选手もいて、普段の练习の延长でしかなかった。
　一方で、选手には决して好评ではない様子。男子のホープ、宇野昌磨（１７＝爱知・中京大中京高）は「ホテルの部屋にクーラーがないんですよ。中京大のほうが良かったかな？」。日本を代表する避暑地とはいっても、日によっては寝苦しい夜を过ごしているようだ。
　一流アスリートの练习环境としてふさわしいのか、やや疑问は残るが、小林强化部长は「合宿らしくていいじゃないですか」と一蹴。别の连盟関系者も「アイスショーで一流ホテルに泊まったりしているから、そう思うんでしょう。五轮の选手村がそんなに恵まれているとは限りませんよ」と话した。
　まさか、クーラーがないことが原因ではないだろうが、この日は村上佳菜子（２０＝中京大）が微热を理由に午后の练习を中止。参加选手でただ一人、メディア対応も欠席した。スケジュールの都合で合宿に参加していない羽生结弦（２０＝ＡＮＡ）、浅田真央（２４＝中京大）の２人が正解だったなんてことにならなければいいが…。
http://headlines.yahoo.co.jp/hl?a=20150729-00000030-tospoweb-spo

羽生结弦与村上佳菜子对谈 女子本Little Wings 2012


翻译：@栗将军_羽生党

菜籽10年的采访，被问到除了猫之外还有没有觉得很厉害的选手，回答Yuzu，说他NHK的时候在sr中都超级闪耀，jump好厉害，又很亚撒西，yuzu真是perfect的人啊.
cr. laylahong weibo

比賽是從女子的佳菜子（村上佳菜子選手）開始，接著是雙人的Mervin和Naru（Mervin Tran及高橋成美組）。兩組都拿了第1名，結果佳菜子就對我說『Yuzu也讀懂空氣了吧』！吼、讓我超級焦慮的啦（笑）。
—— 日本男子フィギュアスケートFan Book Cutting Edge2010 羽生結弦專訪
http://www.weibo.com/p/1001603891701390405987?from=page_100505_profile&wvr=6&mod=wenzhangmod

就算身體壞掉我也要跳4周跳！不不，我會好好保養自己，成為不因受傷而消失的選手的。我絕對不會消失的。不管變成什麼樣子，我都會繼續當選手的！啊、剛剛的發言我收回。因為有點耍帥了（笑）。待會又被佳菜子說『Yuzu、你又說耍帥的話了！』！」
フィギュアスケート日本男子Fan Book Cutting Edge 2011 羽生結弦專訪 「未來之星、出道」
http://www.weibo.com/p/1001603899274789277066?from=page_100505_profile&wvr=6&mod=wenzhangmod