波士顿法律 剧本（持续更新~！）

Boston Legal  
Still Crazy After All These Years  
Season 1, Episode 2  
Written by Kerry Ehrin and David E. Kelley  
(C) David E. Kelley Productions.   All Rights Reserved  
Broadcast: October 10, 2004  
Transcribed by olucy.  
  
  
Scene opens inside a mental institution’s visiting room.   The room is filled with various patients,  
including an older, African American man with Tourette’s syndrome yelling “Bats on the run!”, and a  
younger Caucasian woman with multiple scars on her arm.   A woman is ushered into the room by a  
psych nurse and taken to a long table where Alan Shore is seated, hunched over a jigsaw puzzle.  
  
Psych Nurse: You have 30 minutes.  
Christine Pauley: I have to say I find this very strange. I always thought I’d be the one visiting you in a mental  
hospital.  
Alan smiles.   She sits down across from him.  
Christine Pauley:   I’m excited about tomorrow.   Please tell me we have a shot.   I don’t know how much longer I  
can take it in   here.  
Alan Shore:   We have a shot.   I’ll get you out.  
Christine Pauley: I don’t need to hear it, Alan.   I need it to ha               en.  
Alan Shore: The board will question you directly.   It’s entirely possible they’ll try to provoke you.  
Christine Pauley: Make sure I’m bomb proof?  
Alan Shore: Sorry?  
Christine Pauley: It’s an expression with horses. To be safe to ride a horse it needs to be bomb proof.   It doesn’t  
spook easily.   Can’t have one who just flies off.  
Alan Shore: Yes.   In addition to not flying off, you need to show contrition.   They like to see that you’re sorry.  
Christine Pauley: I am. I – I am so sorry.   So deep--deeply ashamed.   How do I say it right?  
Alan Shore: Just like that.   Christine, you were in love with a man who was unworthy of you.   Who made you  
doubt everything that you had a right to count on.   Who perhaps even toyed with your sanity.  
Christine Pauley: Still no excuse for trying to kill him.  
Alan Shore:   Perhaps he had it coming.  
Christine Pauley:   Perhaps you did.  
  
Theme song  
  
Inside a CP&S conference room  
Paul Lewiston: Why is it we agreed to bifurcate the trial?  
Brad Chase (speaking rapidly): There’s been no claim for punitive damages, only compensatory.   But our fear  
was the jury could be so outraged, they might artificially inflate compensatories as a de facto puni, so we opted  
to bifurcate.   Separate juries – one for liability, one for damages.   The client concurred.  
Alan Shore (looking at Brad in amazement): Do you do tongue push-ups?  
Brad Chase: This is a staff meeting.   I encourage all to conduct themselves professionally, keeping in mind that  
remarks are tantamount to assertive conduct.  
Paul Lewiston:   Lansing versus Mahoney.  
Brad Chase (speaking rapidly, Alan still looking amused): Hospital settled out.   Deposition of Dr. Mahoney is  
today.   We’re hoping to make some movement on that as well.  
Paul Lewiston: Lot of eyes are on us.   We’ve got an HMO on the bubble here waiting to see how this lawsuit is  
restored.   I assume you’ve prepared for today’s de   osition.  
Brad Chase: Actually, Denny’s taking it.   
Paul Lewiston: Denny’s taking the deposition?  
Brad Chase: 

Boston Legal   
Catch and Release  
Season 1, Episode 3  
Written by David E. Kelley and Peter Ocko  
(C) 2004 David E. Kelley Productions.   All Rights Reserved.  
Broadcast October 17, 2004  
Transcribed by olucy  
  
  
The scene opens at night in Alan’s office.   He’s working at his desk and Sally is nervously pacing with a  
folder in her hand.  
  
Sally Heep:   Why aren’t you helping me?  
Alan Shore: Sally, I have a trial of my own beginning tomorrow.   A rather big one.  
Sally Heep: But this is my very first trial.  
Alan Shore: You’ve certainly been in court before.   I have no doubt you’ll do well.  
Sally Heep:   Motion practice.   This is with a jury.   I don’t—I don’t think I’m ready.  
Alan gets up from his desk, closes his office door, walks over to Sally and takes the folder out of her  
hand. He takes her hands in his and looks at her intently.  
Alan Shore: Sally, look at me.   You trust me?  
Sally Heep: I do.  
Alan Shore: And because you trust me, you’ll believe what I’m about to tell you.  
Sally Heep: I will  
Alan Shore: That’s all it is.  
Sally Heep: All what is?  
Alan Shore: Trial law. Getting the jury to trust you, so you’ll believe what you tell them.  
Sally Heep: Really?  
Alan puts his hands on either side of her face and strokes her face.  
Alan Shore: Sincerity, Sally.   Once you learn to fake that, there’ll be no stopping you.  
  
Theme song  
  
Daytime.   Denny’s office.   There is a medical tray on his desk with syringes and supplies.   We see that a  
gentleman in a suit, wearing medical gloves, is in ecting something into Denny’s forehead. Paul walks  
into Denny’s office.  
  
Paul Lewiston: Denny, we’ve got….what’s going on?  
Denny Crane: A little maintenance work, Paul.   Wouldn’t hurt you by the way.   You look like a prune.  
Paul Lewiston: We have the Kaneb meeting in 15 minutes.  
Denny Crane: Excellent.   Why do I care?  
Paul Lewiston: You care because this is the construction project that the entire firm has been working on for 18  
months.   You care because Byron Kaneb cares and he expects you to be present.  
Denny screams in pain.  
Denny Crane: Ooh!   Ow!   Damn it, man, what have you done?   Denny jumps out of the chair.   There is a  
piece of syringe still stuck in his forehead above his left eyebrow.  
Dr. Lott: Uh, the needle broke.   Not to worry.   Just let me remove it.  
Denny Crane: Don’t you touch me.  
Dr. Lott: Mr. Crane, half the needle is still in your forehead. Just let me remove it.  
Denny Crane: You’re not touching me!   Get Dr. Michaels back down here.   This is what happens when I let his  
kids cut their teeth on my head.  
Dr. Lott: If I could just remove the needle—  
Denny Crane: Don’t you touch me.  
Paul Lewiston: Denny.   There’s a needle in your head.   Let him at least remove it.  
Denny Crane: Get me Dr. Michaels!